An Enigmatic Cloud…

photo courtesy of the author Pedro L

“This photo might not be perfect – it was taken from the inside of a bus in movement – but it is meaningful: it is my last image of Porto, when I left the city last 16th March to return to Lisbon, my hometown, and spend this period of confinement. After a few months traveling around Germany and Poland, Ukraine and Romania, I returned to Portugal and decided to take some time in Porto. My idea was to discover the north of Portugal and Spain and collect info about Porto for a future ebook that I’m working on. In this photo there’s a beautiful sunset but what I appreciate the most is the cloud. It’s kind of enigmatic and, I believe, a great metaphor for these days.

Pedro is an independent writer from Lisbon, Portugal. He has worked as journalist and has been traveling around the world, to satisfy his curiosity about other countries and cultures. Feel free to follow his work in http://worldwidepedrol.com and in http://instagram.com/worldwidepedrol

A Fair Amount of Ghosts

He plays the trumpet brilliantly on the corner of Grand and Victoria. He doesn’t look like he’s from this era. He’s impeccably dressed, from his crisply fitting suit to his smooth fedora hat. There aren’t many folks that can pull that off. He’s cooler than the freezer aisle on a sweltering summer day. He performs the type of yearning melodies that give you the goosebumps. I’ve never seen anyone put any money into his basket.

There’s a formidable stone house that sits atop Fairmount Hill. It’s been for sale for as long as I can remember. The crooked post sinks deeper into the soil with each passing year. It isn’t a place to live in. It’s a place to dwell in. There’s a dusty rocking chair on the front porch. It’s always rocking. Always rocking. I’m not sure if the chair is occupied by an old soul or if it’s just the wind. Maybe it’s both. I guess the wind is an old soul.

This town is full of posters for Missing Cats. There’s one for a sweet, fluffy Maine Coon named “Bear.” He’s been gone for a while now. I’ve searched through every alleyway, under every porch, and inside of every bush for him. Sometimes I think I see him out of the corner of my eye. But then he’s not there. The rain has pretty much washed away the tattered posters. If he ever turns up, I worry that the posters will be missing.

I met the love of my life in Irvine Park, near the gloriously spouting water fountain, beneath the serene umbrella of oak trees. We spent a small piece of eternity there together. We talked about whether or not the world was coming to an end soon, and if all of our memories will be diminished along with it. After we said our goodbyes and she walked off into the distance, I never saw her again. So I left my heart in Irvine Park.

Zach Murphy is a Hawaii-born writer with a background in cinema. His stories have appeared in Peculiars Magazine, Ellipsis Zine, Emerge Literary Journal, The Bitchin’ Kitsch, Ghost City Review, Lotus-eater, Crêpe & Penn, WINK, Drunk Monkeys, and Fat Cat Magazine. He lives with his wonderful wife Kelly in St. Paul, Minnesota

Looking to submit to us? We’re accepting Poetry, Fiction, Articles and Art! Please get in touch.

intense, Passionate, TUMULTUOUS…

Tumultuous by Tiffany Arp-Daleo

Tiffany Arp-Daleo is an abstract artist working primarily in acrylics and mixed media. Tiffany paints intuitively and trusts her instincts to guide her creativity. Her paintings will catch your eye with bold contrasts, gobs of rich color, and layers of texture.

The main influences in Tiffany’s artwork are music and life experience. When she isn’t painting, she likes to attend concerts, mingling with other artists and creatives in search of new inspiration. Something that must’ve been quite a challenge during our global pandemic, but her work is continuing to thrive.

Tiffany loves to explore all things creative; writing, drawing, painting, pyrography, jewelry making, working with polymer clay and ceramics. All her creations are original, derived from the heart, and born out of a need to consistently create and to explore possibilities.

You can reach Tiffany Arp-Daleo at all of the following: Website: www.tiffanyarpdaleo.com Instagram: @Tiffanyarpdaleo Facebook: https://www.facebook.com/tiffanyarpdaleo/?modal=admin_todo_tour Redbubble: tiffanyarpdaleo.redbubble.com

Happy Souls…

photo courtesy of pexels.com

HAPPY SOULS

I met a stranger on the road, the road that reads “lonely souls”.

The mind gave me a thousand reasons why, not to pay him heed and simply pass him by.

Yet the heart reached out and so the words, made him stop and started to converse.

Walking , talking we both were lost, in voicing everything inside that was locked.

The baggage that we carried was dumped, the unnecessary, suffocating shield was crushed.

After some time the road got diverged, we were surprised as this was unheard.

The road is straight was what we knew, and so we found that it was untrue. Having no choice we had to choose a lane, we both chose different and thus parted ways.

I left a stranger on the road, the road that reads “Happy Souls”.

Arushi Singh is pursuing a Bachelor of Science (honors) in Nursing from All India Institute of Medical Sciences(AIIMS), Rishikesh and distinguishes as an avid reader and a novice writer, wanting to learn and further explore the field of literature and creativity.

Plight of the Elephant…

An animal activist, Susan M.L.Moore is a staunch advocate for their welfare, in particular the plight of elephants around the world. 

As an artist, Susan M.L.Moore  has worked in various mediums from color pencil, pen and ink, to oils and acrylics. She has had a one woman show at The New Hampshire Art Gallery in Manchester NH, shown in many local and distant venues, as well as having taught classes from K through 12 and evening adult classes. 

She participated in a fund raiser in Roxbury NY which included examples from many well known artists  including,  Yoko Ono. Susan has donated pieces for good causes throughout the North East, and has sold pieces around the world,  including Tibet. 

Susan M.L. Moore is accepting commissions, as well as has a blog, omordah.com which has links to her pieces currently for sale at etsy.com/shop/omordah. These include prints of a painting in which the proceeds go to WIRES of Australia  to help the animals impacted by the wildfires.

Silver Grey

My wine glass is suddenly heavy.

I know, surely,

That I would still die for you.

You are silver grey now,

And my body is wider.

We are older,

But, I fear, not wiser.

You still smell the same, 

And it slays me,

As it always did. 

Stops me in my tracks,

Makes my knees buckle.

And yet, 

I don’t look back when you walk away,

And nor do you. 

Photo by Valeriia Miller from Pexels

Hannah is a freelance writer and blogger, who shares fiction, poetry and other ramblings at Secret Scribbles in London. She is currently in the very early stages of writing a novel. Hannah lives in South East London with a marauding toddler, an occasionally-marauding husband and a rescue cat, known as The Fluffbeast, who believes he has a very tragic life.

Looking to submit to us? We’re accepting Poetry, Fiction, Articles and Art! Please get in touch.

Sick…

I’ve been drawing break dancers as of late and I haven’t showcased any of my drawn art on our site here. So I present you with Sick. Sick is slang for awesome.

I am a huge fan of Hip Hop (especially old school ’70’s-90’s) I even tried some simple break dancing moves when I was 15 in 1985. The Move depicted below was pretty much akin to what I was able to do back then which was essentially nothing acrobatic. LOL

This series of drawings which I am showcasing on my site also features Graffiti Stylized Slang from the 70’s-90’s.

Matt Snyder can mostly be found creating and showcasing older art on Sundays, 6 Word Stories on Mondays, Food Photography/Recipes on Thursdays, a memoir on Fridays. Every day though, is devoted to both Art of all types & the Written Word at https://aprolificpotpourri.art/

“La Tristesse Durera Toujours”*…

*Van Gogh’s Last Words- ” The Sadness Will Last Forever”

Photo Courtesy Of Aspasia S. Bissas

Vincent Van Gogh spent the last three months of his life living in Auvers-Sur-Oise, outside Paris, France. Walking through the streets there,  seeing the mundane things he transfigured with his canvas and brush, is like sharing a fragment of his life. In the few months he was there, he created 77 paintings, including The Church at AuversPortrait of Doctor Gachet, and Daubigny’s Garden. This tree, which resides in the courtyard of the Auberge Ravoux, where Van Gogh lived, likely wasn’t there when he was alive. But it’s the sort of tree that would have captured his imagination, and when I saw it I thought it also captured a bit of his spirit. Seeing the tree in the courtyard was like seeing one of Van Gogh’s paintings come to life, one he never had the chance to create. Auvers is infused with his memory, and nothing encapsulated his presence more than this tree in bloom, transformed for a brief moment in the place where Van Gogh walked for a while.

Aspasia S. Bissas is an amateur photographer and professional writer. She is the author of the dark fantasy novel Love Lies Bleeding. Her latest short story, Tooth & Claw, is available for free download. Find out more at https://aspasiasbissas.com/books.

Umbra’s Wake

KC’s eyes glittered with enthusiasm, shooting stars streaking against a dark blue sky. “Let’s go camping.”

“Camping?” I smiled. “That thing with the bugs and the bears?”

“Bugs build character.”

“And bears?”

“Trust me—anything we meet out there will be more scared of you than you are of it. Come on, it’ll be fun—just the two of us.” KC’s grin looked like it belonged to a superhero.

I should have been more cautious. What kind of person wants to go camping with someone they met only a couple of weeks before? It was barely enough time for a movie and a cup of coffee. But I needed a break from work, and it did sound fun. An adventure in the fresh air and green earth with KC of the glittering eyes.

“All right,” I agreed. “When should we go?”

The sun was bright and warm when we set out for our trip that morning. A light breeze ruffled our hair, birds chirped, squirrels and chipmunks scurried around us—it seemed as though all of us were excited to get going. The ancient deciduous forest lived up to the hype, with the sacred aura of a cathedral at midnight and towering trees like giants, silent sentinels watching over us. Ripples flowed down my back like a waterfall and I realized it was the stress of the week melting away. This. I needed this.

But somewhere between leaving the car behind and reaching the site where we would set up camp, something changed. A chill crept through the trees, the birds went quiet, and the sun disappeared into shadows. The squirrels and chipmunks had long since abandoned us. The ripples down my back twisted and tangled, making my jaw clench as the stress seeped back in. Time passed and we spoke less, until, like the birds, we stopped talking altogether. My pack weighed on me more with each step, as though it were absorbing the atmosphere, soaking in the cold and the tension. The straps dug into my shoulders, laden with more than simply the physical contents they were carrying.

Suddenly, I jumped. “What the—?”

KC stopped, a few steps ahead of me. “What is it?”

“I don’t know.” I stared at the spot where I was sure I’d seen something—movement, a figure. All I saw now were trees and shadows. “I must have imagined it.”

“That happens sometimes. We need to keep moving if we want to set up camp before dark.”

“Is it much farther?” I asked as we started walking again.

“About an hour, maybe a bit more, depending.”

“Depending on what?”

“We don’t want to stop if there are other people around. This trip is about getting away.”

“Sure, but we don’t want to be too isolated, either, right?”

KC didn’t answer. We lapsed back into silence.

Later, after the campsite was set up and night had draped itself over us, we sat around the fire drinking burnt cocoa, the edge of bitterness cutting through the unhealthy amounts of marshmallows we’d added. KC insisted on telling ghost stories, even though I said I wasn’t a fan, so I only half listened as I watched the mist that drifted and swirled around the trees.

“After hearing about the apparition that was said to haunt the house, a man of science known for his reason announced that he would spend the night there and wait to see if the ghost appeared…”

A movement, not quite visible through the trees, caught my eye. I wasn’t sure what I’d seen, or if I’d actually seen anything at all. But the mist in that spot was disturbed, and so was I.

“After waiting patiently late into the night, the man suddenly heard the rattle of chains. When he looked, he saw the ghost of a dishevelled old man with a long, straggly beard. The spectre wailed and rattled the chains that bound his hands and feet…”

The story must have been getting to me because now I thought I heard a rattle. Only, it wasn’t chains—it was something more…organic. A shudder crawled up my back. I sipped my cocoa and tried to ignore it.

“Finally, as the sun rose, the ghost drifted into the garden and sank into the ground with a final wail. The man marked the exact spot where the phantom had disappeared…”

Another movement caught my eye. Then another. I didn’t know what I was seeing but I knew it had to be something causing the chaotic explosion of mist in each spot. Maybe it was insects disturbing the haze. Or mice. Or ghosts. Whatever it was travelled around the circle of the clearing. The next one would be right behind me. I forced myself not to turn around. It was nothing. I was imagining it. Everyone always told me I had an overactive imagination.

“The next day the man returned with a pair of workers, and when they dug in the spot he’d marked—”

A gust of wind out of nowhere, over my shoulder, in my ear. But no, it wasn’t wind. It was long and drawn out. There was a blissful moment of silence where I chided myself for letting the dark and the stories spook me. And then a faint whisper, growing, expanding. The wind was drawing back into itself, like…an inhalation. Something was breathing behind me.

I jumped up, spilling the remnants of my cocoa. I spun around and stared at nothing. Just darkness and trees and some mist along the ground.

“Wow—I didn’t even get to the creepy part,” KC said.

I looked all around, trying to find the source of what I’d seen and heard. “Didn’t you hear that?”

“Hear what?”

“Breathing.” As soon as I said it, I knew how ridiculous it sounded. But my heart wouldn’t stop thudding like it was trying to escape my rib cage. “I saw something too—in the trees.”

“You’ve been jumpy all day.”

“I feel like something is stalking us.” There, I said it. Even as I felt stupid for admitting it, part of me was relieved to get it out.

KC didn’t look impressed. “Who would even be out there?”

“Not who,” I muttered. “What.”

“Oh? Well in that case…” KC walked up to the edge of the trees.

“What are you doing?” I asked, panic catching in my throat.

“Hey, stalker!” KC called out. “Why don’t you come out where we can see you? Have a cup of cocoa. Do you like marshmallows?”

“Please stop.” I wanted to shout it, but it came out as a whisper.

KC kept going. “No? Well, you’re welcome to join us whenever.”

Another movement to KC’s right. A spot blacker than the blackness around it. The shape was too elongated to be a person, the movements too disjointed and jittery. It was put together wrong. I felt it staring at me.

KC turned to look back at me. “No stalker. Feel better?”

I was still staring into the blackness, but the thing was gone. “Yeah,” I said. “Thanks.”

I didn’t sleep well that night. I couldn’t stop thinking about what I’d seen, or thought I’d seen. Strange shapes seemed to come at me from the corners of the tent. When I did finally drift off, I woke in a panic thinking I heard those rattling breaths again, but it was only KC snoring next to me. I watched as the tent filled with light and decided to get up and start making breakfast.

Cooking put my mind at ease, and the smell of frying eggs and bacon made the weirdness of the night before seem distant and silly. Too much time spent in cities had me jumping at shadows—literally. I shook my head.

Any remnants of anxiety still clinging to me were forgotten as we got busy with the normal routine of getting on with things. We spent the day cleaning up around camp, fishing, making and eating lunch, and then more cleaning. I’d never have guessed how much dishwashing was involved in camping, or that I’d be the lucky one assigned the job. I was off on my own, struggling for what felt like an hour to scrub a burnt bit of fish off the pan, when something in the water caught my eye. I stopped to look into the rocky depths of the creek and saw a flutter, a dark shape bending and unfurling through the current.  

I looked closer and the water that had been bubbling along seemed to still. I saw my reflection, distorted and weak, and underneath it, the dark shape. Elongated. Not moving quite right. I watched, frozen, too scared to stir as it rose through my reflection. I thought it was going to come at me, envelop me, but then I saw in the water’s mirror that it was behind me. It loomed over me, watching while I held my breath, staring at it in the water. It seemed to be pulsating, and then I heard that breathing again. Long wheezes in and out. A loose sound with every inhale and exhale, like jumbled bones being shaken together. A crack appeared where its face might be, if it had one. The crack started out small and spread, stretching across the shadow until there was a line from one side to the other. The gap widened and I saw teeth: long, silvery, sharp needle rows of teeth.

I whirled around and found myself staring into a pair of eyes, silver like mercury, but darker, as though oxidized. They stared back at me and wouldn’t let go. Not that I wanted them to. They were so strange, so beautiful. I forgot all about the teeth.

Suddenly, KC’s voice.

“What’s taking so long—”

The shadow was gone and I was staring at KC. I smiled a smile that was too wide. It stretched across my face and split me apart until there was nothing holding me together.

KC screamed.

I woke up back at the car, the sun shining down on me like nothing had happened. I didn’t know how I got there or even what day it was.  

I wanted to go for help but my legs wouldn’t work. I could move them, but not in the direction I wanted. It didn’t matter anyway; I didn’t have the car keys. I called out until some hikers heard me, my voice shaking, echoing as though it were coming from somewhere else.

After the police arrived, I heard them say that I must have some kind of post-traumatic stress because apparently I wasn’t making much sense. They still managed to find the campsite, though; what was left of it. And KC. Eventually.

I visited KC in the facility once. We didn’t really talk, although I tried. KC just stared at the wall with dull eyes like I wasn’t there. Until I started talking about the trip. Then the screaming started. The nurses hurried me out of the room and sent me home after that. They said KC needed calm. They said it would probably be better if I stayed away.

I still don’t really remember what happened by the creek. Bits and pieces come to me sometimes but they feel like someone else’s memories, and most of it makes no sense. I have dreams that something is next to me at night, breathing, wheezing in my ear, but when I wake up I’m alone. Maybe the police were right about the trauma. But I feel okay most of the time. Good, even. Other than the restlessness. I can’t seem to sit still. I catch people staring at me when my arms twitch and my legs shake. They leave in a hurry when they see me looking at them.

The city bothers me now, the noise, the buildings. Why is there so much concrete? It stifles. I need to fill my lungs with fresh air. I need the freedom of the forest, the dark, cool places where I can stretch my limbs and glide through the shadows. I’m thinking of going back soon. I think it would soothe me. Maybe it’ll help me remember. I know a spot that’s popular with campers. Maybe they can help me.

Photo by Drew Rae from Pexels


Aspasía S. Bissas writes about pretend monsters and real fears. She is the author of the dark fantasy novel Love Lies Bleeding. Find out more at her website.  She is also available on Facebook and Twitter.

Looking to submit to us? We’re accepting Poetry, Fiction, Articles and Art! Please get in touch.